With Nathan Cheung, John-Paul Younes, and Tanav Gowda

PROGRAM:

Beethoven: Viola Sonata No. 1 in D Major, Op. 12, No. 1 (trans. Wong)

Beethoven: Viola Sonata No. 5 in F Major, Op. 24 “Spring” (trans. Wong)

Beethoven: Viola Sonata No. 9 in A, Op. 47 “Kreutzer” (trans. Wong)

PROGRAM NOTES:

Beethoven’s violin sonatas, here transcribed for viola and piano, are a cornerstone of his output, evolving from classical elegance to dramatic expression. These three selections represent distinct stages in this evolution.

Sonata No. 1 in D major, Op. 12, No. 1 (1798) is a youthful and sunny work. It reflects Beethoven’s grounding in the Classical tradition of Haydn and Mozart. The sonata’s graceful melodies and balanced structure are a testament to his early mastery, a conversation between the viola and piano, full of wit and joy.

The “Spring” Sonata No. 5 in F major, Op. 24 (1801) is one of Beethoven’s most beloved works, a masterpiece of early Romanticism, showcasing a richer, more expressive range while retaining classical clarity. The nickname “Spring” perfectly captures its lyrical, pastoral character. It’s a true partnership where both instruments have equal importance, sharing in the beautiful, flowing themes.

Sonata No. 9 in A major, Op. 47, the “Kreutzer” Sonata (1803), is a work of immense power and scale. This sonata was famously described by Tolstoy as a work of “terrible passion.” The sheer virtuosity demanded from both performers is immense, and its dramatic intensity and heroic scope foreshadow Beethoven’s later, revolutionary works.